3 Short Story Collections to Get Excited About
[image description: a small stack of hardcover books, some cloth bound, in dark colors.]
This post contains an affiliate link.
If there is anything good to come out of 2020, it’s that it’s been a good year for short story writers!
I used to avoid short stories because I didn’t want to get too attached to characters who I knew weren’t going to be around long. But as time has gone on and my attention span in the year of the coronavirus is unpredictable, I’ve come to appreciate these story snacks.
Here are 3 collections I’m super excited about:
F*ckface and Other Stories by Leah Hampton
Synopsis from Goodreads:
F*ckface is a brassy, bighearted debut collection of twelve short stories about rurality, corpses, honeybee collapse, and illicit sex in post-coal Appalachia.
The twelve stories in this knockout collection—some comedic, some tragic, many both at once—examine the interdependence between rural denizens and their environment.
A young girl, desperate for a way out of her small town, finds support in an unlikely place. A ranger working along the Blue Ridge Parkway realizes that the dark side of the job, the all too frequent discovery of dead bodies, has taken its toll on her. Haunted by his past, and his future, a tech sergeant reluctantly spends a night with his estranged parents before being deployed to Afghanistan. Nearing fifty and facing new medical problems, a woman wonders if her short stint at the local chemical plant is to blame. A woman takes her husband’s research partner on a day trip to her favorite place on earth, Dollywood, and briefly imagines a different life.
In the vein of Bonnie Jo Campbell and Lee Smith, Leah Hampton writes poignantly and honestly about a legendary place that’s rapidly changing. She takes us deep inside the lives of the women and men of Appalachia while navigating the realities of modern life with wit, bite, and heart.
Alligator & Other Stories by Dima Alzayat
Synopsis from Goodreads:
The award-winning stories in Dima Alzayat’s collection are luminous and tender, whether dealing with a woman performing burial rites for her brother in “Ghusl,” or a great-aunt struggling to explain cultural identity to her niece in “Once We Were Syrians.”
Alzayat’s stories are rich and relatable, chronicling a sense of displacement through everyday scenarios. There is the intern in pre-#MeToo Hollywood of “Only Those Who Struggle Succeed,” the New York City children on the lookout for a place to play on the heels of Etan Patz’s kidnapping in “Disappearance,” and the “dangerous” women of “Daughters of Manāt” who struggle to assert their independence.
The title story, “Alligator,” is a masterpiece of historical reconstruction and intergenerational trauma, told in an epistolary format through social media posts, newspaper clippings, and testimonials, that starts with the true story of the lynching of a Syrian immigrant couple by law officers in small-town Florida. Placed in a wider context of U.S. racial violence, the extrajudicial deaths, and what happens to the couple’s children and their children’s children in the years after, challenges the demands of American assimilation and its limits.
Alligator and Other Stories is haunting, spellbinding, and unforgettable, while marking Dima Alzayat’s arrival as a tremendously gifted new talent.
Sleepovers by Ashleigh Bryant Phillips
Synopsis from Goodreads:
Hailed by Lauren Groff as “fully committed to the truth no matter how dark or difficult or complicated it may be,” and written with “incantatory crispness,” Sleepovers, the debut short story collection by Ashleigh Bryant Phillips, takes us to a forgotten corner of the rural South, full of cemeteries, soybean fields, fishing holes, and Duck Thru gas stations. We meet a runaway teen, a mattress salesman, feral kittens, an elderly bachelorette wearing a horsehair locket, and a little girl named after Shania Twain. Here, time and memory circle above Phillips’ characters like vultures and angels, as they navigate the only landscape they’ve ever known. Corn reaches for rain, deer run blindly, and no matter how hungry or hurt, some forgotten hymn is always remembered. “The literary love child of Carson McCullers and John the Baptist, Ashleigh Bryant Phillips’ imagination is profoundly original and private," writes Rebecca Lee. Sleepovers is the winner of the 2019 C. Michael Curtis Short Story Book Prize, selected by Lauren Groff.
If you’d like to get copies of these (and support me and indie bookstores at the same time!), use this link to order from Bookshop.org.
